I watched Tyson the documentary over the weekend.  Mike narrates the story of his life in several interview formats with archival footage and photos interspersed.  In my opinion, the sequence illustrating his unification of the Championship belts at the age of 20 leaves no doubt that he was the greatest boxer ever in his prime.  His speed, power, and head movement were unparalleled. He was a heavyweight with the speed of a lightweight.  On top of that, he was vicious in the ring.  No one could weather the storm he brought.

And then he fell apart.

Mike is very eloquent and candid in these interviews, and he admits to feeling insane at times in his life.  James Toback’s editing often gives a sense of disorientation and even schizophrenia. Mike admits his weaknesses and mistakes. His ringside interview after his last fight is especially telling- “I don’t have the fighting guts… I’m just trying to pay some bills… I don’t love this anymore.”

I read Unforgivable Blackness a year or two ago, and Tyson’s life is eerily similar to that of Jack Johnson, the first black heavyweight champion. He had the same hubris and need for the public to love him, but at the same time feared what everyone thought of him. Paranoia, certainly justified in Johnson’s case, over racial and social-class prejudice by the media, government, and public fed his insecurities and erratic behavior. And he ends up playing the monster he fears everyone sees him as.

 

This documentary about indie rock posters and the art behind them looks interesting.

 
The Devil and Daniel Johnston

Of all the films I saw this past year, I think the documentary The Devil and Daniel Johnston was the most poignant. The guy is just like-able.  He’s so innocent it almost doesn’t seem genuine. He creates this strange music recorded on tape decks using the most primitive of ’80s musical equipment, and it just seems right.  His whole being is in the music and lyrics, and it’s cut to the bone.  There’s no fluff, no fat.  You’ve never heard anything like it before, guaranteed.  He also draws cartoons that, like his lyrics, are full of isolation, existentialism, unrequited love, heroism, and humor.  What makes the documentary so great is the fact that Daniel documented a huge portion of his life himself on video and on tape recorders. Continue reading »

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