Maus II: A Survivor’s Tale by Art Spiegelman

Maus

I read the first volume of Maus by Art Spiegelman several years ago.  It is a classic in the graphic novel medium, and I felt I didn’t need to add much to the plethora of reviews and praises out there in Internet land with my amateur musings.  The book is part of college English and history curricula now.  But honestly, now that I have read the second volume, I think Maus II is the better book. I think the two volumes are now technically considered to be one book, but volume two was published in 1991, five years after volume one.  The collection won the Pulitzer Prize Special Award in 1992.

A lot has been said about the book’s value as a Holocaust narrative, and how it illuminates the cost war has on families generations later.  The second volume picks up the story of Spiegelman’s parents as they enter Auschwitz and are separated. Spiegelman’s father recounts his time in the prison camp and his eventual release. I think what really makes Maus interesting is how Spielgelman weaves together his father’s Auschwitz narrative, his own difficult relationship with his father, and Spiegelman’s struggle to make sense of it all by writing the book. I have seen it mentioned many places, and it is true: the last page of volume two is heartbreaking.

There are still many who don’t give the same weight to good graphic novels as they do to traditional literature. I have to stress that Maus is not just a graphic novel or comic book.  This is literature, deep and wide and heavy.  If you have never read a graphic novel, do yourself a favor.  Pick up both volumes of Maus and read them.  I guarantee you will have a new appreciation for the medium.  You can find Maus II here.

Into the Volcano by Don Wood (Early Reviewer Book)

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I’ve been trying to think of unique ways to describe this graphic novel without using “visually stunning” and “breathtakingly beautiful,” but I can’t do it.  Every panel is a work of art.  The scenes where the lava meets the ocean are perfect.  It’s just ink on a page, but Wood captures the light, the hiss, and the heat.  The graphic novel not only stands up to artistic scrutiny, but also has a gripping story.

It’s a mystery- adventure that appeals to a younger audience, but I found myself engrossed. Brothers, Sumo and Duffy, are pulled out of class unexpectedly by their father to be shipped off to an island with a mysterious cousin they’ve never met.  The whole enterprise is shady, and when the boys meet Auntie, it gets even more suspicious.  The book twists and turns, so the reader is never quite sure who’s good and who’s bad.  The boys have to do some self-reflection.

Wood’s artistic portrayals of the characters captivated me.  I was shaken by overweight Auntie with her greenish-pink skin and broken foot.  I immediately knew something wasn’t quite right with her.  You can almost smell her.  The boys have a  pugish Hawaiian look, which made me not fall for them right away.  That’s a good thing.  Most books aimed at younger audiences try to win the reader over to the protagonist’s side with sentimentality too soon. Wood’s style and scope gives the book a cinematic depth that I have rarely seen in graphic novels.  One panel you’re in the boat with the characters, waves pounding; the next you have a bird’s eye view.  It sets a fast adventure pace that young readers will love.

Overall, I’ll be shocked if Into The Volcano doesn’t win some awards.

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